Avant l’orage
Interview contribution fo the exhibition catalogue, Collection Pinault/Bourse de Commerce, 2023.
Coding Care – Towards a Technology for Nature
Text contribution to the publication, edited by Sabine Himmelsbach and Chus Martinez, 2023.
On Disaster’s Doorstep: Revital Cohen & Tuur Van Balen
Essay for Not what I meant but anyway, monograph by Columbia University Press, 2022
Roadside Picnics: Encounters with the Uncanny
Foreword. Published by dpr-barcelona, 2022
Deep Time, Deepdream, DeepMind
Talk at Casino Luxembourg, 27 January 2022
Heavens – Revital Cohen & Tuur Van Balen
Part of Serpentine’s Back to Earth project. Curated by Rebecca Lewin, Lucia Pietroiusti and Kostas Stasinopoulos. Composition by Pan Daijing.
The Swiss Church, London, 12-17 October 2021.
Microhabitable
A publication, study and radio programme, in collaboration with Fernando García-Dory, INLAND/Campo Adentro and Matadero, Madrid. 2018-ongoing.
How am I not myself?
Essay for The Animal Touch, published by The Institute of Anxiety, December 2021
More-than-Human: a reader
Edited by Andrés Jaque, Marina Otero Verzier and Lucia Pietroiusti. Associate Editor: Lisa Mazza
In conversation with Tai Shani, United Hieroglyphs
A collaboration between Serpentine’s Back to Earth and Pompeii Commitment. Archaeological Matters
February 2021
In conversation with Revital Cohen & Tuur Van Balen, Heavens
Published January 2021. Artists Revital Cohen & Tuur Van Balen discuss their ongoing project, Heavens in the context of ecologies, invisible global infrastructure and exhibition-making.
“Fish, Sex, Sandwiches, Garbage” for Sun & Sea (Marina), vinyl/catalogue
To begin with, there’s you.
Close your eyes, if you can, and picture a beach. Maybe the beach of your childhood (if you’ve had that kind of childhood). Something incredibly familiar, almost impossibly benign.
Spike Q&A: Is the body the last thing left alive?
Spike Magazine #62, Winter 2020.
MAL Journal: PLANTSEX
Edited by Maria Dimitrova, Lucia Pietroiusti, Filipa Ramos and Kostas Stasinopoulos. April 2019.