Writing and editorial
Edited by Lucia Pietroiusti. Set Margins’, 2026. A study trip is a psychedelic journey you embark upon to learn about the world. Study Trip offers is a guide through artistic, scientific, social, material and spiritual issues around psychedelics.
Written for the catalogue of Alexandra Kasuba: Shelters for the Senses, Tate St Ives, 2026.
A nursery rhyme for grown-ups written and published for the catalogue of Lina Lapelytė, We Make Years Out of Hours, Hamburger Bahnhof, 2026.
On mysticism, erotics and planetary ecologies. Text written for Spirit as a Journal, Autumn/Winter 2025, guest edited by Vaiva Grainytė.
An enquiry into non-human, human and artificial minds. Edited by Lucia Pietroiusti and Filipa Ramos. Designed by Giles Round.
Lucia Pizzani is a bilingual publication (English & Spanish), published by This Side Up and edited by Natalia Valencia Arango, with contributions from Nicolas Bourriaud, Lucia Pietroiusti and Torrivilla, and in interview between the artist and Lisa Le Feuvre.
General Ecology is the Serpentine’s long-term and ongoing project researching complexity, more-than-humanism, climate justice and environmental balance.
On Tim Grabham and Jasper Sharp’s The Creeping Garden. For e-flux Film’s programme, Uncomputables: On Cybernetics and Alien Intelligences programmed by Agnieszka Kurant, February 2024.
A multi-year, interdisciplinary festival and research project, part of the General Ecology project. Co-curated with Filipa Ramos
Back to Earth is Serpentine’s long-term, interdisciplinary, artistic programme responding to the urgent climate crisis. Back to Earth is about change and it is a catalyst to change our approach to the climate emergency. This multi-year project invites over sixty leading artists, architects, poets, filmmakers, scientists, thinkers, and designers to shape their responses to environmental change with the support of Serpentine’s partner organisations and networks.
Serpentine, London. 2019-2022
Essay for Everybody Talks about the Weather exhibition catalogue, Fondazione Prada, Venice
April 2023
Essay for The Work of Art in the Age of Planetary Destruction publication by Complex Urban Systems for Sustainability and Health (CUSSH), University College London (forthcoming)
but tell it slant: Zadie Xa’s more-than-human time:
Essay for Zadie Xa’s exhibition catalogue, Whitechapel Gallery, 2023.
Interview contribution fo the exhibition catalogue, Collection Pinault/Bourse de Commerce, 2023.
Text contribution to the publication, edited by Sabine Himmelsbach and Chus Martinez, 2023.
Part of Serpentine’s Back to Earth project. Curated by Rebecca Lewin, Lucia Pietroiusti and Kostas Stasinopoulos. Composition by Pan Daijing.
The Swiss Church, London, 12-17 October 2021.
A publication, study and radio programme, in collaboration with Fernando García-Dory, INLAND/Campo Adentro and Matadero, Madrid. 2018-ongoing.
Edited by Andrés Jaque, Marina Otero Verzier and Lucia Pietroiusti. Associate Editor: Lisa Mazza
A collaboration between Serpentine’s Back to Earth and Pompeii Commitment. Archaeological Matters
February 2021
More writing & editorial
Forthcoming
Co-Editor, The Shape of a Circle in the Mind of a Fish (with Filipa Ramos). Published by Hatje Cantz.
’Curtains, too, do fall. On Christodoulos Panayiotou’s Dying on Stage’, essay in Dance First. Think Later. Rencontre entre danse et arts visuels catalogue, Le Commun, Geneva, forthcoming
’Between the undying, the unspooled and the irrevocable. On Alex Cecchetti’, essay in Dance First. Think Later. Rencontre entre danse et arts visuels.
2021
’Making Habitable’, essay in TinyBE: Living in a Sculpture catalogue, Frankfurt: DISTANZ.
2020
‘Curator’s Key: On Felix Gonzalez-Torres’s Untitled (Portrait of Ross in L.A.), Spike #60 (Summer 2019)
2019
‘Future Greats: Vivian Caccuri’, ArtReview (Jan/Feb 2019)
Previous (selected)
Co-editor, Poetry Marathon. Published by Serpentine Galleries/Koenig Books, 2011 (with Nicola Lees)
Assistant editor, Boulevard Magenta issues 1-9. Published by Irish Museum of Modern Art, 2008-2009