Text for Catalina León, Galeria Mayoral, September 2024

Text for Catalunya @ Venice, 2024. Carlos Casas, curated by Filipa Ramos.

Published on e-flux Journal #139, October 2023.

General Ecology is the Serpentine’s long-term and ongoing project researching complexity, more-than-humanism, climate justice and environmental balance.

Contribution to “The Handbook of Cultural Work”, Bloomsbury / Onassis Stegi, 2024.

On Tim Grabham and Jasper Sharp’s The Creeping Garden. For e-flux Film’s programme, Uncomputables: On Cybernetics and Alien Intelligences programmed by Agnieszka Kurant, February 2024.

Text on Emilija Skarnulyte for Ars Fennica Prize, 2023.

Back to Earth is Serpentine’s long-term, interdisciplinary, artistic programme responding to the urgent climate crisis. Back to Earth is about change and it is a catalyst to change our approach to the climate emergency. This multi-year project invites over sixty leading artists, architects, poets, filmmakers, scientists, thinkers, and designers to shape their responses to environmental change with the support of Serpentine’s partner organisations and networks.

Serpentine, London. 2019-2022

Essay for Everybody Talks about the Weather exhibition catalogue, Fondazione Prada, Venice

April 2023

Essay for The Work of Art in the Age of Planetary Destruction publication by Complex Urban Systems for Sustainability and Health (CUSSH), University College London (forthcoming)

but tell it slant: Zadie Xa’s more-than-human time:
Essay for Zadie Xa’s exhibition catalogue, Whitechapel Gallery, 2023.

Interview contribution fo the exhibition catalogue, Collection Pinault/Bourse de Commerce, 2023.

Text contribution to the publication, edited by Sabine Himmelsbach and Chus Martinez, 2023.

Essay for Not what I meant but anyway, monograph by Columbia University Press, 2022